World Building Wednesday: Cover Art

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Hey Space Cadets, how are you doing today?  Things are good here, the interview with The Dead Robots Society Podcast went well.  As soon as I know when it’s going to go live, I’ll spread the word.  I tried not to sound like too much of an idiot, but you’ll have to be the judge of that.  And on the writing front, I’m half way done with my short story for the Four Horsemen Anthology.  I’ve also started the outline process for book four, which we’re tentatively titling Maternal Vengeance.  I don’t know the date book three, Operation Breakout, will go live but I’ll keep everyone posted.

 

Now, on to today’s World Builder Wednesday!  Today we talk about cover designs!  I’m no expert, and I’m actually colorblind, so this is a hard one for me.  My friends Corey and MLS Weech are actually much better at this part, so you should check them out if you want an expert opinion on the topic!  To my way of thinking, there are several steps you have in picking the cover for your next best seller, and I’m sure I’m missing a few. So rather than tell you this is the way, let me just say that this was my way. That’s right, the Burger King of cover designs.

 

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The first step in picking out a cover was to figure out my genre, since I know each genre and subgenre have their own idiosyncrasies.  Once I knew where my book would fall in the pantheon of fictional greatness, it was a simple matter of looking at other well received covers in that genre.  I found out what expectations they created, trying to get a general feel for my own design.  This step is the most dangerous, as you could spend hours drooling over art and lose yourself so completely that your wife and kids send out the hounds and form a search party.  Be warned, never browse covers alone!  Seriously, that’s my PSA for the day!!  Don’t do it, you’ve been warned!

 

Once I knew what I wanted, overall, I started to figure out designs for my own book.  How could I come up with a cover for my own book that fit within this niche?  You want to do two things; show your reader what type of book they’re getting, and not create false expectations of your own book. You don’t want pictures of spaceships on your novel if they’re planet bound.  Nor would your cover have some half naked beefcake if you’re writing lesbian erotica.  The cover HAS to show the potential reader what they’re likely to find inside.  For me, this meant considering the overall theme of the book and scenes from within it.  How you choose to go about it is largely dependent on the book you write, but you have to have a starting point for any potential artist you hire.

 

After you pick the general idea you want for this masterpiece, you begin the second most dangerous part; browsing the portfolios of cover artists.  This is another phase that can suck you in, and still your soul.  You could lose days, weeks, maybe even years rousing the artistic awesomeness of the various cover designers out there.  Don’t be that guy, be disciplined and direct.  After all, you have to get this done an expedited manner so you can write the next great American novel there’s always more books to write, so you can’t afford to get sucked into the outer trappings.  I was lucky for this stage, I had another author, Chris Kennedy, lend me his cover designer.  He made it easy by serving as the middleman, but I know this will always be the case and don’t need to learn to stand on my own.  My advice, at least for finding good cover artists, is to start searching now so when you’re ready you just have to reach out.  And find several you like, as you never know when they’ll be available.

 

Just to show you an example of my process for my pending short story, “No Marine Left Behind.”  This story tells Sashala’s journey during Phase Guinshrike of Tim C. Taylor’s Renegade Legion, into Lance’s world in Fortress Beta City.  For this story, I told the artist to give me space Marine’s in bad assed power armor.  I wanted them to be in some burning woods after a shuttle dropped them off, and I wanted the dying Beta City in the background.  This is the progression of the art in question.  Hopefully this helps clear up my muddy explanation of the process!  If not, least you get pretty pictures!!

 

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Until next time, stay frosty and don’t forget to keep your powder dry! 

brown_bess

JR

 

–> As usual, all images came from the Google’s “labeled for reuse” section or are screen grabs taken by JR Handley for use under the Fair Use Doctrine.

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